Rosemary for Writing: Verbs and Spices
June 22, 2008
When I cook a steak, you can bet your taste buds there will be Rosemary involved. Rosemary is not a nutritionist, or any form of hired help. Rosemary is an herb put on earth specifically to flavor hunks of dead cow.
Writing, like cooking, can run the gamut from raw potato blandness to full on extreme jambalaya flavor. This is the first in a series of posts I intend to write about the forms of literary seasoning one can use to avoid writing of the steamed vegetables variety. I call today’s article:
Verbs and Spices
Ask what constitutes “descriptive” writing, and many people think of adjectives. While adjectives can add flavor, the real action is in verbs. A well-placed verb can spice up a sentence quicker, and with more elegance, than a dozen adjectives.
Take this passage from my novel in progress for example:
Frantic screaming came through the air. Noro looked over to see one of the drunken patrons with his clothing on fire. The flames brightened the dim interior of the room.
There’s nothing wrong with this, but it could be a lot better. Here’s the second draft:
Frantic screams pierced the din. Noro glanced over to witness one of the drunken patrons writhing on the ground, clothing ablaze. The flames fought through the smoky gloom, casting a macabre stage play of shadows on the faces of the crowd.
The screams no longer just come, they pierce. The patron is now writhing. The flames are fighting. The paragraph is a lot more active, and a lot more interesting.
Like any technique, this one has limits. Dialog tags, for example, are not a good place to get overly creative. In most cases, a simple “he/she said” will do just fine. You don’t need your characters vociferating, exclaiming, inquiring, etc. You’ll only succeed in distracting the reader from the story. Leave the exclaiming to the exclamation mark, and the inquiring to the question mark. Vivien over at Inoperative Squirrel has a good post on this topic.
You should also keep in mind that not every verb needs replacing. Take the previous sentence. It would sound a bit silly if I changed it to, “You should retain in your memory that not every verb desires replacing.” You’ll also be hard pressed to replace some of the most basic verbs. The “to be” verbs, is, are, am, will, and so on, are not easily swapped out. The same goes for have/has, can, and does.
These limitations are minor, however. If you read a first draft, and find a section that just isn’t working for you, try replacing some of your verbs. You might be surprised just how much texture they can bring to the party.

This was the result of another class project. I was never completely satisfied with the project as a whole, but I do love the logo I created to go with it . When The Flaming Coal Mine found its way into the short story I started writing this weekend, it reminded me that I wanted to post the logo here.


